making of
an artist
This account will not be long. Nor will it have any dramatic
moments of awakening, only slow remembrances of beauty and attraction, longing
and a slow wide-eyed wonder at art that unfolded for me.
It
was mid 90's and I was at a party, I can’t remember the occasion but it was a
party full of artists. My friend Marge was the hostess. She is well connected
in the art’s community so everyone was there.
The
music was loud Latin, as she and her then husband were passionate tango
dancers. It was festive. I was in her living room sitting on the couch next to
RH. R is a successful painter but somewhat of a shy fellow. His
paintings had, at least for the moment, fallen out of favor and he was busy
supporting himself by making sterling jewelry. (His minimal silvery shapes are
like thin slices of the moon unlike the traditional busy twists and turns of
most hand made jewelry. Just lovely.)
I
had never really spoken to him, as I thought he was a bit standoffish out of
conceit (after all he was quite successful), but on this occasion I realized he
was just painfully shy. What a happy revelation that can be. We were talking
about when we first realized that we were artists. He said there was never a
time when he didn’t know; he had started drawing as soon as he could hold a
pencil. Being an artist was never in doubt for him.
Puzzled,
I told him I had come late to that discovery. As a child I did the usual
coloring, drawing and writing. And there
was little encouragement from either my parents or teachers. To be honest I probably
did not show any great talent. Pondering this that evening I remembered a seminal
experience I had had as a child. I still
felt its pull and creative power. So I
told him this story.
I
was 6. My grandparents lived in Victoria a small town 120 miles southwest of
Houston. We visited them there often. On this particular visit I was playing
with Nancy and Janice, twins who lived in, what we referred to as the Offer’s house. They were close to my age
and the house was only 2 down from Grandma and Grandpa’s. We were allowed to
roam the block without supervision.
Nancy
and Janice taught me to play canasta. My parents didn’t play cards (other than
that adult game of Bridge) so it was always fun to visit with them. But on this
particular day someone (maybe me) suggested we build a house. We chose the front yard as the location. We
gathered twigs, branches and small stones from the earth. That was all we
needed. With sticks we drew the outline
of the structure on the dusty ground. On each side of the sidewalk we pushed
our branches into the dirt defining the shape and using stones delineated the
walls. We somehow attached branches across the top to make a ceiling. My memory
is that the twins lost interest whereas I was mesmerized by the process and the
endless possibilities afforded by our chosen materials. I worked on it until
evening. That new thrill of creativity was gripping. And the expansive nature
of that creativity was like a sparkly bath of joy to my tiny and inexperienced
psyche. This was new… the vibrant pleasure of bringing into life a thing of
substance, beauty, worth or was it simply the satisfying miracle of creation? It
left me longing for more.
I
thought about it for years. From this distance in time I now see that this was
pure creativity, unfettered, untamed and lacking self-consciousness. Although
in years following I never reproduced that virgin experience try as I might. I
built many more forts, houses, Christmas tree houses throughout those early
years, but never was I able to recreate that wonder. Nor did I ever forget it.
That
evening on the couch with RH I realized that was my first sculpture, my
first truly creative act.
Now
in thinking back over those formative years I can see whispers of my creative
spirit emerging. If not truly gifted, I found beauty in many things and had
developed a personal aesthetic. My creativity came out in collecting, writing,
sewing and even cooking.
Absolutely
the only thing I remember about kindergarten was learning perspective. I can
still picture the teacher at the blackboard drawing a hexagram with a peaked top
and then putting angled lines from its corners and joining them with a straight
line. A house! I was 4 years old and
only attended for a month or two, because the nuns at my Catholic school
terrified me and I begged not to have to go. But the concept of creating the
illusion of 3-dimension in a 2 dimensional field was born.
to be continued...
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